broadcast
Some people may say that 284 microphones is a little excessive
Grab it while you can - this BBC show 'The Sound of Sport' is only on BBC's archive player for a couple more days, and it's very seriously well worth the listen.
It features sports sound designer, Denis Baxter plus a bunch of techniques and stories from other broadcast sound designers.
It's a one-hour show, with so many highlights that it's probably quicker just to listen to it - but here is a super quick fly-over of the gold:
*Vancouver Winter Olympics - bobsled run, creating emotion and perspective with extra microphones for each camera angle "some people may say that 284 microphones is a little excessive"
*The 'sound' of Wimbledon, as described by the BAFTA-nominated sound designer
*How intense the Oxford-Cambridge rowing race broadcast is (especially versus some 1933 archived footage).
*Using kick drum samples to enhance darts championships
*Strapping a wireless mic to each of a horse's four legs to help create up close and personal soundscapes for film
*Recording sound for 'video' games, and how this enhances TV broadcast sound
Do yourself a favour, and as your significant other is sitting down to watch the next episode of whatever is currently the flavour of reality TV, grab your headphones and listen to the 1hr episode. If you're at all interested in broadcast sound, sound design, microphone techniques or even if you simply posess a chronic case of general audio nerdness, this is a must-listen.
Unfortunately the archive runs out this weekend, so strap in and listen ASAP!
Read full postRode VideoMic Pro
It's worth highlighting the excellent new Rode VideoMic Pro. Not only is it a giant leap forward for both budding and established videographers, but we've received a nice big stack - so there are specials to be had!
Let's just take a quick but close look. The VideoMic Pro is designed to 'up the ante' for sound, particularly relevant to the latest crop of HDSLR cameras which, although grab stunning images fairly easily, often leave a bit lacking in the microphone department. From an audio point of view, it feels a little like the camera manufacturers have gotten together and said "we're upping the ante, so up yours!"
Bearing the simple shoe mounting for H/DSLR, Rode has produced a VERY lightweight mic (just 85g)with excellent results for point-and-shoot sound grabbing. For some applications, VideoMic Pro will be perfect for primary mic duties, while the more specialised user will use this as a secondary mic, in conjuction with lavs / booms / etc. Being a condenser, you'll need to give this one some juice - done via internal 9V battery (which will add a little weight to the total - roughly 45g by our last weigh-in.
Controls on the back of this one are simple: top switch is 'off' / 'on-flat' / 'on-HPF', while the bottom switch allows for '0' dB adjustment, -10dB attenuation, or +20dB boost. The shockmount is nicely designed to keep mechanical noise to an absolute minimum (and you get spare rubber, just in case), and VideoMic Pro comes with a permanently mounted windsock.
And back to 'the deal' - because we're excited about a nice big stack of these mics, let's not start with the RRP of $299, we're going to run with $227 for as long as we've got stock.
Read full postNew DPA Microphones - Reference Standard & 4099 Instrument
Anyone who has been keeping a bit of an eye on DPA over the past few years will have seen somewhat of a nip and tuck of their impressive product range. We've always been big fans of DPA's minature microphone range - 4066 headsets, 4061 lapel microphones and the fantastic adaptor range to facilitate use with any wireless systems out there plus plugging directly into an XLR, but the real movers and shakers of the moment are the recently completed 4099 instrument mics, and the new MODULAR Reference Standard series of classy studio, broadcast and live microphones.
Perhaps you've used (or own) an orignal B&K 4006, the classic omnidirectional recording microphone. DPA has been producing these for quite a few years now, and they've just improved them! Not only does the new 4006A have a modular design, allowing a variety of capsules to be used with the one preamplifier, but some serious improvements have been made with the state-of-the-art preamplifier circuitry.
You may already know that DPA strives for "uncompromised sonic signature" and so they have ensured no transformers are going to get in the way of their signal. There's a bit of an article on impedance balancing with active drive here, via DPA website.
We've just updated our own website with the whole 4000 series of Reference Standard microphones and components, AND you may want to take special note of the brand new 2006A - using twin capsule technology, it comes in at a lower price than 4006A, while maintaining DPA's sonic signature.
And then! You'll see the entire 4099 instrument series (along with some excellent vision of the Reference Series) in the interview video below that we did with Ken Kimura when he recently visited. Just in case you're into nostalgia, you can see our original interview with Ken here - it was from 2010, and includes some interesting facts about DPA mics recording the Space Shuttle.
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